Water
The face of the water, in all its states, is as mysterious as a human face.
It reveals as much as it can hide.
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* The commissioning artwork to the specific size and finish by the client is subject to an individual quote. The client will receive virtual (in situ) proposals before order placement. A deposit of 25% is required to place an order.
** Finished works are archival quality photographs mounted and coated with Timeless Veneer on classic painter panels with black satin floating frames. Virtual image placement in the client setting is available free of charge.
Janusz Wrobel
Art Photography
Our eyes see light patterns, and our minds see images.
Humanity's progress has been possible due to our brain's abilities to render
realities similarly and communicate them efficiently.
The image itself doesn’t distinguish between subjective or objective reality.
Our brains do, and we are used to it. Human culture has used extensive iconography to communicate fictional realities like our spiritual beliefs and the working frameworks
of our social structures.
Spirituality and fiction served us well when wide gaps in our understanding
of the world around us prevailed. That no longer apply.
Since I confronted the stretches of the Canadian wilderness,
subjectivity or objectivity became irrelevant.
With time and space laced together, the constant interactions of the living world
with physical one became, for me, the essential canvas of life’s understanding.
Life survives by carving out an orderly space of living conditions in the physical world, where the natural state of matter is a disorder.
The foundation of this statement has already been recorded in our science and culture;
the collection of readily available interpretations of our world’s realities.
What's available doesn’t mean what’s commonly understood, used or accepted.
Fending myself off from the folly of society's practice had run its course.
For decades I used to escape the urban world into one that offered to reprive into a different realm of reasoning. My personal recollections and thoughts from it transpired in my exhibition projects.
The visually narrated stories coming out of it might offer a pause for your reflections.
“To know and not to do is to not know.”
An old Chinese proverb.
“It is difficult to get a man to understand something,
when his salary depends on his not understanding it.”